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Christ's Entry Into Brussels in 1889 James Ensor, 1888
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πŸŒ€ Dreams & Big Ideas

Christ's Entry Into Brussels in 1889

James Ensor Β· 1888

Why it's great

A huge, wild crowd of masked, grinning people fills the street in a parade, with a tiny Jesus on a donkey. Ensor painted a carnival that mocked modern society. The colors are neon bright. It was shocking in 1888, and today it's regarded as a Belgian masterpiece.

Where to see it

πŸ“ Getty CenterLos Angeles, United States

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Hang it on your wall

⬇ Hi-res download 12,900 Γ— 7,352 px Β· 94.8 megapixels Β· prints up to about 43 Γ— 25 inches at 300 dpi Heads up: this is a huge scan, so the file can be hundreds of megabytes. Right-click and save it rather than opening it in a phone browser. File page & license β†—

Three places to look for a print of this painting, from budget to museum-grade:

These links open search results on each shop's own website; we don't sell anything or earn a commission, and print quality varies by seller. Ask a grown-up before you buy anything.

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About the artist

James Ensor

1860–1949 Β· born in Ostend

James Ensor was born in Ostend, Belgium, and lived there nearly his whole life. He painted bizarre carnival masks, skeletons, and crowds in bright, shocking colors. His strange work was ahead of its time, and he became a hero for modern artists. He died in Ostend in 1949.

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