Style & movement
Abstract Art
Abstract art is painting without a picture of something. Instead of a person, tree or boat, you get colors, lines and shapes that make you feel something, like music you can see. A few artists in the early 1900s, in Munich, Moscow, Paris and Stockholm, realized that paint didn't have to copy the world. This collection takes you from the painters who were nearly there, through the pioneers, to playful corners like Klee's cats and fish and Schwitters's collages made from trash. Try asking: what does this sound like? What would it feel like to step inside?
161 paintings
How it began: roads to abstraction
Long before anyone painted a pure shape, some artists were already letting color, light and feeling take over from the subject. These are the stepping stones.
Color and feeling: Kandinsky and the Blue Rider
Wassily Kandinsky believed colors work like music: yellow is a trumpet, blue is a cello. He and his friends in Munich, the Blue Rider group, painted feelings, sounds and dreams instead of things.
The Blue RiderWassily Kandinsky · 1903
Colorful LifeWassily Kandinsky · 1907
Composition VIWassily Kandinsky · 1913
UpwardWassily Kandinsky · 1929
Yellow CowFranz Marc · 1911
The Tower of Blue HorsesFranz Marc · 1913
Mode: Woman with Parasol in front of Milliner's ShopAugust Macke · 1914
People by a Blue LakeAugust Macke · 1913
Tunisian LandscapeAugust Macke · 1914
Abstract HeadAlexej von Jawlensky · 1921
MedusaAlexej von Jawlensky · 1923
The Humpback IAlexej von Jawlensky · 1911
Squares, grids and straight lines
What happens if you throw away everything except shape and color? Malevich painted a black square, Mondrian a grid of red, yellow and blue, and Russian artists built whole imaginary worlds out of lines and planes.
Black Square (1915)Kazimir Malevich · 1915
Red SquareKazimir Malevich · 1915
Black CrossKazimir Malevich · 1915
Black CircleKazimir Malevich · 1924
An Englishman in MoscowKazimir Malevich · 1914
Composition XIVPiet Mondrian · 1913
Composition IXTheo van Doesburg · 1917
Proun 93 (Conical)El Lissitzky · 1923
SuprematismOlga Rozanova · 1916
Red Circle on a Black SurfaceIlya Chashnik · 1925
Circles, spirals and rainbows of light
Hilma af Klint painted glowing spirals and flowers years before anyone else dared, and Robert Delaunay made color itself the subject, circling and dancing across the canvas.
Champs de Mars, the Red TowerRobert Delaunay · 1911
The City, No. 2Robert Delaunay · 1910
Colorful SymphonyRobert Delaunay · 1915
The Ten Largest, No. 10, Old AgeHilma af Klint · 1907
George Gershwin-I'll Build a Stairway to ParadiseArthur Dove · 1927
Paul Klee: playful lines and secret worlds
Paul Klee said that drawing is like taking a line for a walk. His pictures are full of tiny jokes: cats and birds, twittering machines, fish that glow, houses that spin.
Twittering MachinePaul Klee · 1922
Ab ovoPaul Klee · 1917
Cubism and Futurism: breaking the world into pieces
Cubists showed an object from many sides at once. The Futurists added speed: cyclists, soccer players and racing cars smeared across the canvas.
States of Mind I: The FarewellsUmberto Boccioni · 1911
Visioni simultanee, 1912Umberto Boccioni · 1912
Racing carLuigi Russolo · 1913
Harlequin with a GuitarJuan Gris · 1917
Steel MillJoseph Stella · 1919
Cut, paste and build: collage
Kurt Schwitters glued tickets, scraps and bits of rubbish onto his pictures and called the result Merz. It was a new way to make art from whatever was lying around.